![]() Prior to each piece played the conductors, who switched off between compositions, outlined the stories that would be heard in the music. Block described this theme as “descriptive, impressionistic, and colorful,” as the music associated with it consists of lively representations of nature. ![]() This year the concert’s theme was stormy weather. He defined the term for the audience and encouraged the audience to clap and dance along as they played another short piece that demonstrated rhythm. Then a second conductor, Guilherme Rodrigues, introduced the concept of rhythm in music. Each section then stood alone to play a short sample of the Indiana Jones theme, “The Raider’s March,” a selection enthusiastically recognized by the audience. He explained the makeup of the four instrument families that could be found onstage: woodwinds, brass, strings, and percussion. When the concert began, the conductor, Matthew Clarke, walked the audience of roughly 50 parents and young children through the composition of the orchestra. The wooden noisemakers that were available included castanets, frog guiros, and block clackers. Instruments included conga drums, wooden noisemakers, a stepping piano, and-a fan favorite-Boomwhackers, hollow plastic tubes tuned to different musical notes by length. “(The concert) provides a dimension for families that may not have had a way to see how music can assist in the growing up and evolution of their own children.”īefore the performance, students in the orchestra and members of AMTA-S ISU, the Illinois State chapter of the American Music Therapy Association, stood in different areas of the venue’s atrium and demonstrated how to use the instruments before allowing attendees to try them out themselves. “Music therapy has documented evidence of how important music is in aiding various illnesses and challenges,” he said. By allowing the audience to get involved with the music and express themselves as they see fit, Block incorporates aspects of music therapy into the concert experience. Glenn Block, the director of orchestras and professor of conducting, almost 10 years ago. We want people to sing along and just do what feels natural to them, and it puts a smile on my face every year.” “There’s never a time where we’re telling people to be quiet. “Making noises is encouraged, so it’s always a very inclusive atmosphere,” said Hibbard-Brown, an instrumental music education major from Libertyville. ![]() Unlike a typical orchestra concert, the audience is invited to clap and dance along as the orchestra performs. This year’s performance took place on the morning of October 30 in the Center for the Performing Arts. Though each academic year the orchestra performs six concert cycles and plays some of the most challenging music in the orchestral repertoire, her favorite performance is the annual Music for All concert. Illinois State senior Alex Hibbard-Brown has played the cello with the Illinois State Symphony Orchestra since her freshman year.
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